The piece, in its compression of the visual frame and voiding of contextual details, references earlier eras of black and white concept driven video art. The deadpan violence expressed in the shattered Pyrex offers up an unspecified critique, all the more potent for the generalized nature of its complaint. Narratives of domesticity and women's work provide a starting point.

Exhibition:
Mother of God: presented by _gaia studio
Post-Glass Video Festival 2010